Monday, 27 May 2013
Monday, 20 May 2013
Article MashUp
Light to dark to light our senses soar, we refuse the
distinctions between concept and percept in
a time of
perpetual brightness. My bridge would become a nirvana of black
darkness wherein people started coordinating their very relationship with the sun, and how their lives might function
within this environment. Architect’s daily struggle to cope with the labyrinth of the concept of
space is made a little easier after the studies of engineering
and the successful testing
of concrete and steel. The experience of architecture automatically closes without engineers and this technology in the industry. Viewed from a distance, my project serves
a duality of purpose, to necessitate a new architecture of tranquil relaxation but also facilitate the realization of engineering’s impact upon magnificence. I would like to propose that
the future of architecture lies in the construction of events.
Sources:
http://www.archdaily.com/288596/light-lab-5-1-vav-architects/
http://www.sciencedaily.com/releases/2013/05/130515094800.htm
http://www.uni-weimar.de/cms/fileadmin/uni/files/architektur/atheo/intern/13ss_modernA/The_Theory_of_Architecture_1968.pdf
Monday, 13 May 2013
Sunday, 5 May 2013
Final Submission
Following on my electroliquid aggregation of two concepts from class to create "Individual entities provide harmonious moments of viewing architecture" I developed a SketchUp model that fosters this idea of having different spaces to view the architecture, leading to a heightened appreciation of the monuments. Moreover, I wanted to appropriately represent the architects in a distinctive yet respectful manner between an intimate meeting place. For Hans Scharoun, I wanted the space the be secure yet still connected the the exterior landscape, much like his Schminke House. Contrastingly, for Daniel Libeskind's monument I wanted to mimic his control of the viewer's movement and emotions within his architecture, such as in his Jewish Museum in Berlin. The bridge monument kindles a feeling of uneasiness and obstruction within the architecture students, high above the sea below.
5 Real Time Image Captures
The dark night sky allows the contrasting white and black forms of the textures to become intrinsic to the surface of the monuments. |
View from the meeting space looking back into Libeskind's monument and over the sea at sunset. |
Hans Scharoun's monument connecting onto the landscape, mimicing the manner in which the Schminke House blurs the boundary between interior and exterior spaces. |
Other Images
36 Custom Textures
36 Customs Textures
Textures applied to model
Light texture |
Light web-like texture added to Libeskind's monument and surrounding detailing. The jagged nature of the texture contributes to the feelings of insecurity amongst the architecture students. |
Medium Texture |
Medium texture applied to most the the structure. Reduced to a small size the dotted texture blends into a matte surface on the monuments. |
Dark Texture |
The dark texture is applied to the datum surface acting as a circulation guide for the architects. |
Thursday, 2 May 2013
Progress in Crysis
Monuments in context |
Monument to Scharoun connected to the land and Libeskind's monument reaching out to sea. |
Extension high above the sea |
Detailing on Libeskind's monument, inspired from the Jewish Museum in Berlin. |
Entrance into the meeting space for the architecture students. |
Intimate meeting place for students between the monuments |
Monuments at night in context |
Monuments at night from a swimming architect's perspective |
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